学术与策展双驱动
Driven by both academia and curation
“广州影像三年展 2025”第一次策展人和学术委员会议顺利召开
The first curators and academic committee meeting for "Guangzhou Image Triennial 2025" was convened
会议现场
近日，广东美术馆召开了“广州影像三年展2025”第一次策展人和学术委员会议，11位专家学者共同对展览主题及版块内容展开深度的学术研讨。
展开剩余97%参与现场讨论的策展人和学术委员有：“广州影像三年展2025”总策划、广东美术馆馆长 王绍强，“广州影像三年展2025”策展人、法国知名摄影史学家 米歇尔·普瓦韦尔，“广州影像三年展2025”策展人、中国摄影史学者 何伊宁，“广州影像三年展2025”策展人、英国艺术史学者 陶丝·达赫玛尼（线上），以及“广州影像三年展2025”学术委员会的专家学者：中国美术家协会策展委员会副主任 皮道坚，西班牙策展人 亚历杭德罗·卡斯特略特（线上），广州美术学院艺术与人文学院教授 樊林，多伦现代美术馆中国影像艺术年鉴项目执行总监 施瀚涛，成都当代影像馆艺术总监 王庆松，摄影艺术家、独立策展人 曾翰，中国美术学院摄影文献研究所主任 高初。
与会专家学者合影
在会议上，三位策展人先后根据各自负责的板块内容及艺术家（作品）进行了相关介绍，对展览板块的主题定位、核心概念及实施方案进行系统阐释。学术委员会的专家学者们则聚焦展览主题展开深入研讨，结合当代影像的概念与实践，从社会学、哲学、生态学、艺术学等多学科视角，对本届展览的筹备给予学术层面的建议。
“广州影像三年展2025”总策划、广东美术馆馆长王绍强在会上表示：广东美术馆期望通过本次研讨，进一步明确展览的发展方向与主题内核，持续深化品牌的学术内涵。与此同时，也希望“广州影像三年展”在广东美术馆新馆的首次亮相，能在学术深度和展陈呈现上更上一层楼，给观众带来不一样的艺术体验。
广州影像三年展2025
Guangzhou Image Triennial 2025
策展团队
Curatorial Team
总策划
王绍强[中]
Wang Shaoqiang
现任广东美术馆馆长，二级研究员，教授、博士生导师。享受国务院特殊津贴专家。兼任中国美术家协会理事、广东省美术家协会副主席、广东省美术馆协会会长、教育部高等学校教学指导委员会委员，入选“广东特支计划”宣传思想文化领军人才、广东省“十百千”工程培养对象等人才项目，连续两次被评为“中国艺术权力榜”上榜人物，获评《国家美术》“风云人物”，荣获第二十二届那不勒斯文化经典奖艺术家奖。长期从事近现代美术及当代艺术研究，曾策划 2017 广州影像三年展，2021 广州影像三年展等大型展览，担任第六届广州三年展的总策划与文献展策展人，第七届广州三年展总策展人，2023 成都双年展总策展人及其他具有国际影响力的大型展览策划。
Director of Guangdong Museum of Art, serves as a National Level-2 Researcher, professor, doctoral supervisor, and an expert with State Council Special Allowance. He also serves as a member of China Artists Association, Vice Chairman of Guangdong Artists Association, President of Guangdong Art Museum Association, and a member of the Teaching Steering Committee of Higher Education, Ministry of Education. He has been selected for projects such as “Guangdong Provincial Talent Support Program” and “The New Century Tens, Hundreds, Thousands Talent Project” in Guangdong Province. He has been listed twice on “Chinese Art Power List” and was named one of the Influential Figures by National Arts Magazine. Wang was also awarded with Artist Award at the 22nd Napoli Cultural Classics. He has been engaged in the research of modern art and contemporary art for a long time. He once planned large scale exhibitions such as Guangzhou lmage Triennial 2017 and Guangzhou lmage Triennial 2021, and served as the Chief Director and Archival Exhibition Curator of the 6th Guangzhou Triennial, Chief Curator of the 7th Guangzhou Triennial and the 2023 Chengdu Biennale and other large-scale exhibitions with international influence.
策展人
米歇尔·普瓦韦尔[法]
Michel Poivert
©Catherine Peter
摄影史学家、策展人，巴黎先贤祠-索邦大学（巴黎第一大学）摄影与当代艺术史教授。曾任巴黎第一大学艺术史博士院院长，期刊《摄影研究》编辑委员会成员与法国摄影学会主席（1995–2010）。他创办了国际摄影学院，并获法国文化部授予的“艺术与文学”军官勋位。2024年，他被法国文化部任命为“摄影诞生二百周年”系列纪念活动的科学委员会成员。其重要出版物包括：《当代摄影》《世界摄影艺术史》《摄影简史》《法国摄影五十年：1970至今》等。他策划或联合策划过多项重要展览，包括“摄影乌托邦：法国摄影学会150年”（巴黎欧洲摄影之家，2004）、“事件：图像作为历史的行动者”（法国国家影像美术馆，2007）、“图像的颠覆：超现实主义、摄影与电影”（蓬皮杜艺术中心，2009–2010）、“法国摄影的视觉革新：1968–1989”（法国蒙彼利埃人民展馆，2022–2023）、以及“AImagine：摄影与生成影像”（比利时布鲁塞尔 Hangar 摄影艺术中心，2025）等。
Michel Poivert is a photography historian, curator, and professor of contemporary art history and photography at Paris 1 Panthéon-Sorbonne University. He previously served as Director of the Doctoral Department of Art History at Paris 1 Panthéon-Sorbonne, as editor of the journal Études photographiques, and as President of the French Society of Photography (1995–2010). He is the founder of the Collège international de photographie and has been named Officier des Arts et des Lettres by the French Ministry of Culture. In 2024, he was appointed by the French Ministry of Culture as a member of the scientific committee of the Bicentennial of Photography 2026–2027. His major publications include La photographie contemporaine, L’Art de la photographie: des origines à nos jours, Brève histoire de la photographie, and 50 ans de photographie française: de 1970 à nos jours. He has curated major exhibitions such as L’Utopie photographique: 150 ans de la Société française de photographie (Maison européenne de la photographie, Paris, 2004); L’Événement: les images comme acteurs de l’histoire (Jeu de Paume, Paris, 2007); La Subversion des images: surréalisme, photographie, film (Centre Georges Pompidou, Paris, 2009–2010, co-curator); Métamorphoses: la photographie en France 1968–1989 (Pavillon Populaire, Montpellier, 2022–2023); and AImagine: Photography and Generative Images (Hangar, Brussels, 2025).
何伊宁[中]
He Yining
研究者、策展人，《浮屿》与《星辉》两种文集的发起人。她撰写、编辑及翻译的出版物包括《劳特利奇摄影、表征与社会正义》（2022）、《记忆寓所》（2021），及《港口与影像》系列（2017、2019、2022）等二十余种。何伊宁在亚欧地区策划过超过五十个群展，近期策划项目包括“DBN序曲：解殖的目光”（北京德国文化中心·歌德学院，2025）、“相地堪舆”（广东时代美术馆，2024）、“想像中国”（布雷达大教堂，2020）等。她曾任第八届新加坡国际摄影节（2022）、第三届北京国际摄影双年展（2018）的联合策展人。何伊宁毕业于英国伦敦艺术大学伦敦传媒学院，目前是英国伯明翰城市大学艺术、设计与传媒学院中国视觉艺术中心（CCVA）的博士候选人。她的研究围绕2008年后中国当代艺术中的解殖艺术实践展开，考察艺术实践、半殖民主义遗留与当下解殖话语之间的联系。
A researcher and curator, she is the initiator of two publishing projects: Floating Island and Starlight. Her contributions to writing, editing, and translation span over twenty publications, including Routledge Photography, Representation and Social Justice (2022), The Abode of Anamnesis (2021), and the Port and Image series (2017, 2019, 2022). He Yining has curated over fifty group exhibitions across Asia and Europe, with recent curatorial projects including DBN Prelude: Decolonial Gaze (Goethe-Institut China, Beijing, 2025), Photographic Geomancy (Times Museum, Guangzhou, 2024), and China Imagined (Grote Kerk Breda, 2020). She served as co-curator for the 8th Singapore International Photography Festival (2022) and the 3rd Beijing International Photo Biennale (2018). He Yining graduated from the London College of Communication, University of the Arts London, UK, and is currently a PhD candidate at the Centre for Chinese Visual Arts (CCVA), The Faculty of Arts, Design and Media at Birmingham City University, UK. Her research focuses on decolonial art practices in contemporary Chinese art since 2008, examining the entanglement between artistic practices, semi-colonial legacies, and contemporary decolonial discourse.
陶丝·达赫玛尼[英]
Taous Dahmani
©Lynn S.K.
陶丝·达赫玛尼是常驻伦敦的艺术史学者，拥有法国、英国和阿尔及利亚多重文化背景，专攻摄影研究。她在国际范围内策划了众多群展和个展，包括2022年法国阿尔勒国际摄影节路易王妃发现奖展览以及2024年突尼斯Jaou摄影双年展。她的个人策展项目包括：在挪威博德NOUA空间举办的“SMITH”展览、在英国伦敦萨奇美术馆举办的“阿纳斯塔西娅·萨莫伊洛娃”个展，以及在日本京都国际摄影节呈现的“亚当·鲁哈纳”展览。达赫玛尼的写作成果广泛刊载于摄影画册和学术期刊中，她为费顿、Loose Joints、Textuel以及泰特出版社等知名出版机构撰稿，同时在《光圈》《FOAM》《Camera Austria》《英国摄影杂志》《Dazed》《GQ》和《1000 Words Magazine》等媒体发表专题文章。她担任《闪耀之光：20世纪80-90年代英国的黑人女摄影师》（MACK/Autograph ABP出版，2024年）一书的副主编，该出版物广受好评并屡获殊荣。此外，她还在伦敦艺术大学伦敦传媒学院担任特聘讲师。
Taous R. Dahmani is a London-based French, British, and Algerian art historian specialising in photography. She has curated both group and solo exhibitions internationally, including the 2022 Louis Roederer Discovery Award at Les Rencontres d’Arles (France) and the 2024 Jaou Photo Biennale in Tunis (Tunisia). Her solo curatorial projects include SMITH at NOUA (Bodø, Norway), Anastasia Samoylova at the Saatchi Gallery (London, UK), and Adam Rouhana at Kyotographie (Kyoto, Japan). Dahmani’s writing has been widely published in photobooks and journals, with contributions to titles by Phaidon, Loose Joints, Textuel, and Tate Publishing, as well as features in Aperture, FOAM, Camera Austria, The British Journal of Photography, Dazed, GQ, and 1000 Words Magazine. She is the associate editor of Shining Lights: Black Women Photographers in 1980s–90s Britain (MACK/Autograph ABP, 2024), a critically acclaimed, award-winning publication. She also teaches at London College of Communication (UAL) as an Associate Lecturer.
广州影像三年展2025
Guangzhou Image Triennial 2025
学术委员
Academic Committee Members
亚历杭德罗·卡斯特略特[西]
Alejandro Castellote
独立策展人、写作者、教授，1985 年至 1996 年，任马德里 Círculo de Bellas Artes 摄影系主任；是马德里 PHotoEspaña 的创始人和首任艺术总监（1998-2000 年），并于 2003 年策划了 “开放地图：1991-2002 年拉丁美洲摄影 ”项目。他曾在 25 个国家策划过多次个展和群展。主要成就包括“第十届威尼斯建筑双年展”客座策展人（2006 年）；“Getxophoto 国际摄影节”策展人（西班牙毕尔巴鄂 2007-2009 年）；“Photoquai 双年展”拉丁美洲客座策展人（巴黎 2007-2009 年）；“首尔摄影展”（2010 年）和“新加坡国际摄影节”（2012 年）。2013 年，他在马德里 MAPFRE 基金会策划了 “摄影中的西班牙，1839-2010 ”项目。2014年，他担任了“大邱摄影双年展”的总策展人；他还是重庆“长江国际摄影与录像双年展”、“广州影像三年展”（2017 年）、以及第一届“Imago Lisboa”（2019 年）的客座策展人。
Independent curator, writer and professor. From 1985 to 1996, he served as director of the Photography Department at the Círculo de Bellas Artes in Madrid. He was the founder and first artistic director of PHotoEspaña, Madrid (1998–2000), and in 2003 curated the project Open Maps: Latin American Photography, 1991–2002.He has curated numerous solo and group exhibitions across 25 countries. Highlights include: Guest curator at the 10th Venice Biennale of Architecture(2006); curator of the Getxophoto Festival, Bilbao (2007–2009); guest curator for Latin America at the Photoquai Biennale, Paris (2007–2009); the Seoul Photo Fair(2010), and the Singapore International Photography Festival (2012). In 2013, he curated the project Spain Through Photography, 1839–2010, at Fundación MAPFRE, Madrid. He was chief curator of the Daegu Photo Biennale(2014); guest curator of theChangJiang International Photography & Video Biennale, Chongqing, theGuangzhou Image Triennial(2017), and in the first edition of Imago Lisboa(2019).
崔银珠[韩]
Eunju Choi
韩国首尔市立美术馆馆长，韩国当代艺术博物馆界 36 年来的核心人物之一。1989 年，她在韩国国立现代美术馆（MMCA）开始了策展人生涯，至2015年，曾先后担任过MMCA策展人、高级策展人、总策展人和 MMCA 德寿宫分馆馆长。此后，她于 2015 年至 2019 年担任京畿道美术馆馆长，2019年至 2023年在大邱美术馆工作。2023 年，她被任命为首尔美术馆馆长。2025年5月，她开设了首尔美术馆的摄影分馆，并将于11月举办首尔美术馆的开幕展。首尔美术馆是一间涵盖全球新媒体艺术的美术馆。
General Director of Seoul Museum of Art.Choi is one of the central figures of Korean Contemporary Art Museum’s scene for 36 years. Choi began her curator career in 1989 at the National Museum of Modern and Contemporary Art (MMCA) and had worked for MMCA as a Curator, Senior Curator, Chief Curator and Branch Director of MMCA, Deoksugung until 2015. And then she served as the Director of Gyeonggi Museum of Art between 2015 and 2019 and worked for Daegu Museum of Art from 2019 to 2023. And she was appointed as General Director of Seoul Museum of Art in 2023.
In 2025, she opened a new branch of SeMA, Photography Seoul Museum of Art in May and will have inaugural exhibitions of Seo-Seoul Museum of Art (West Museum in Seoul) in November. Seo-SeMA is an art museum that will cover new media art at a global level.
樊林[中]
Fan Lin
广州美术学院艺术与人文学院教授，主要致力于西方现代美术史教学、研究、写作；当代艺术批评，展览策划。以“德国新表现主义绘画”为题入选中国美协海外研修计划，赴德国访学。受邀赴澳大利亚、匈牙利、德国策划展览、讲学，受邀出席“挪威双年展”担任观察员。曾担任“连州国际摄影年展”学术委员、单元策展人，“深圳、香港建筑双城双年展”板块策展人，“AAC艺术中国•年度影响力”初评评委，坪山美术馆理事会理事，第七届“广州三年展”学术委员。
Professor at School of Arts and Humanities, Guangzhou Academy of Fine Arts. Fan Lin has been devoting her attention to art criticism, curation and the teaching and research of western modern art history. In 2014, Fan’s study of German neo-expressionism paintingwas selected for the overseas study program of China Artists Association. She once served as Academic Committee Member forLianzhou International Photo Festival and preliminary judge forAward of Art China. Fan has engaged in exhibitions and programs not only domestically but also internationally. She was commissioned as observer for the 6th Momentum Biennial in Norway. In addition, she was invited as curator and lecturer in Australia, Hungary and Germany.
高初[中]
Gao Chu
摄影史学者，策展人。中国美术学院中国摄影文献研究所主任，中国美术学院美术馆摄影部主任，高帆摄影艺术馆（杭州）的馆长。近期出版（专著或联合主编）的成果包括：《中国》（2019）、《大卫柯鲁克、伊莎白柯鲁克及其家族文献汇编》（48卷，2019），《摄影术传入至今的中国摄影书写》（2019、2024）、《时代记忆》（2021）、《革命与复兴：中国共产党百年图像志》（2022）、《中国人》（2024）等。此外，作为一位传统暗房的技师，他印放的作品被美国国家美术馆、中国美术馆等机构收藏。
Art historian and curator of photography.The Director of the Institute of Social Archive of Chinese Photography at CAA, also the Photography Department Director at the CAA Art Museum and the Director of the Gaofan Photography Museum (Xiaoshan, Hangzhou).Recent publications include:China(2019), Compilation of Documents of David Crook, Isabel Crook, and Their Family (48 volumes, 2019), Archive and Collections: Photography in China(2019, 2024), Memory of the Era(2021), Revolution and Revival: A Century of Images of the Communist Party of China(2022), Chinese People (2024), etc. He is a traditional darkroom technician and his printed works have been exhibited at the National Gallery of Art in USA and the National Art Museum of China, etc.
皮道坚[中]
Pi Daojian
1981年毕业于湖北艺术学院研究生班美术史论专业，毕业后留校任教。20世纪八十年代曾参与创办及编辑《美术思潮》，任编委、副主编，1988年被聘为中国美术家协会理论委员会委员，1992年调华南师范大学美术系。现为中国美术家协会策展委员会副主任。
Majored in art history and theory, Pi Daojian graduated from Hubei Institute of Fine Arts with a master’s degree in 1981 and began teaching in the institute later. In 1980s, he was involved in the founding and editing of The Trend of Art Thought, serving as an editorial board member and an associate editor of the journal. In 1988, he was appointed as a member of the Art Theory Committee of China Artists Association. In 1992, he started to work at the School of Fine Arts, South China Normal University. He is now the deputy director of the Curators Committee of China Artists Association.
施瀚涛[中]
Shi Hantao
独立策展人及写作者，多伦现代美术馆中国影像艺术年鉴项目执行总监，芝加哥艺术学院“艺术管理与政策研究”硕士。曾在上海双年展、上海种子、瑞象馆、新时线媒体艺术中心、上海外滩美术馆、爱普生影艺坊等机构和项目工作，长期从事艺术展览及公共文化活动的策划和组织，并在当代艺术、摄影以及艺术体制研究等领域展开写作和翻译。
Independent curator and writer, Executive Director of the Annual Report of Chinese Contemporary Photography and Video Arts at Shanghai Doland Museum of Modern Art. MA in "Arts Administration and Policy" at the SAIC. Shi has curated and organized exhibitions and public programs in various art organizations and projects during last two decades, such as Shanghai Biennale, Shanghai Project, Ray Art Center, Chronus Art Center, Rockbund Art Museum. His writing and translation work covers the fields of photography, contemporary art and institutional studies.
王庆松[中]
Wang Qingsong
摄影艺术家，策展人，成都当代影像馆艺术总监。自1993年起生活并工作于北京，1996年开始从事影像创作。曾在国内外多家美术馆与画廊举办四十余场个展，并参与光州双年展、台北双年展、悉尼双年展、上海双年展、威尼斯双年展、伊斯坦布尔双年展、基辅双年展等多个国际性双年展。2019年，在武汉合美术馆及韩国首尔摄影美术馆举办个展。2006年荣获法国阿尔勒摄影节杰出摄影奖。曾组织并策划“长江国际影像双年展”及成都“金熊猫摄影艺术奖”等展览，现任成都当代影像馆艺术总监。
Photographer and curator, artistic director for Chengdu Contemporary Image Museum, has lived and worked in Beijing since 1993. Held more than forty solo exhibitions in leading museums and galleries in China and abroad. His work has been featured in numerous international biennials, including the Gwangju Biennale, Taipei Biennial, Sydney Biennale, Shanghai Biennale, China Pavilion at the Venice Biennale, Istanbul Biennial, and Kiev International Biennial. In 2019, he held solo exhibitions at the Wuhan United Art Museum and the Museum of Photography in Seoul, Korea. In 2006, he was honored with the Outreach Award at Les Rencontres de la Photographie in Arles, France. He organized and curated Changjiang International Photography and Video Biennale and Chengdu Golden Panda Photography Award exhibition. He is currently the Artistic Director of the Chengdu Contemporary Image Museum.
曾翰[中]
Zeng Han
摄影艺术家、独立策展人。毕业于暨南大学、纽约视觉艺术学院。曾在中国、美国、法国、德国、澳大利亚等十几个国家的美术馆、艺术双年展、摄影节、画廊等举办展览; 多个系列作品被上海美术馆、加拿大安大略美术馆、香港M+美术馆、广东美术馆等机构和各国收藏家收藏。曾获中国摄影家协会TOP20·2011中国当代摄影新锐奖等奖项。作为策展人，曾任2017年广州影像三年展策展人；2012新加坡国际摄影节策展人；2011年第三届大理国际影会策展人，获金翅鸟最佳策展人奖 ；2005年首届连州国际摄影年展策展人，获年度杰出策展人奖；曾与广东美术馆、时代美术馆、歌德学院等机构合作，策展多个艺术群展和艺术家个展。
Photographer and independent curator, co-curator of the Guangzhou Image Triennial 2017. He graduated Jinan University and School of Visaul Arts, New York. He has been exhibiting internationally at photo festival and biennial in China, U.S.A, France, Germany, Australia etc since 2000, and his works are collected widely includes Shanghai Art Museum; the Art Gallery of Ontario; M+ Art Museum; Guangdong Art Museum and many others. As a curator, He had curated Guangzhou Image Triennial 2017, Singapore International Photo Festival 2012, etc. He had got some awards, include: The Best curator Award of The 2011 3rd Dali International Photography Festival; The Best Curator Award of The 1st Lianzhou International Photography Festival in 2005.
（按姓氏首字母排序 Sorted by Surname Initials）
广州影像三年展2025
将于今年12月与观众见面
敬请期待！
关于广州影像三年展
Guangzhou lmage Triennial
“广州影像三年展”的前身是“广州国际摄影双年展”，第一届展览于 2005年举办。2017 年，广东美术馆将该项目正式更名为“广州影像三年展”，项目立足于媒介现象发展的观察与思考，把研究的重点从原来的“社会人文的摄影”拓展为更具包容力和学科性的“视觉研究的影像”，力图在更具开放性与方向性的工作中推动中国当代影像艺术的实践与研究。自更名以来，先后举办两届展览，并获得社会各界广泛的认可和好评：“复相·叠影——广州影像三年展2017”获得国家文化和旅游部2018年度全国美术馆优秀展览项目；“交融的激流：广州影像三年展2021”获得国家文化旅游部2020-2021年度的全国美术馆优秀展览提名项目。
“交融的激流：广州影像三年展2021”展览现场
Guangzhou Photo Biennial , the predecessor of Guangzhou lmage Triennial , was first held in 2005. in 2017, it was renamed by the Museum as Guangzhou lmage Triennial which, based on observation and thinking on the development of media phenomena, expands the research focus from the original "social and humanistic photography" to the more inclusive and discipline-oriented "visual research image", aiming to promote the practice and research of Chinese photography and moving images through more liveral andoriented efforts. Since its renaming, the Guangzhou Image Triennial has successively presented two editions of exhibitions, both receiving widespread recognition and acclaim from all sectors of society: Stimultaneous Eidos: Guangzhou Image Triennial 2017 received the "National Art Museum Excellence Award" from the Ministry of Culture and Tourism in 2018; Intermingling Flux: Guangzhou Image Triennial 2021 was nominated for the "National Art Museum Excellence Award" (2020-2021) by the Ministry of Culture and Tourism.
“复相·叠影——广州影像三年展2017”展览现场
广东美术馆新媒体平台
New Media Platform of GDMoA
审定 / 涂晓庞
供稿 / 姚小菲 胡天庥 石裕榕 叶舜
排版设计 / 郑妍琳
编辑 / 刘丹妮
发布于：北京市信康配资提示：文章来自网络，不代表本站观点。
